Jekyll's
Plans
Photo
Gallery
The
Orchard
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Upton
Grey Village
Visitors
to the Garden are welcome strictly by appointment
-
Open Times for 2010
1st
May - 31st July
1st
September - 30th September
There
is an admission fee of £5.00 which includes a printed guide and plant
list.
The Manor House
Upton Grey
Hants
RG25 2RD
Phone
00 44 (0)1256- 862827
Fax
00 44 (0) 1256- 861035
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In
1908, when she was 65, Jekyll was asked by Charles Holme to design the
garden for one of his houses at Upton Grey in Hampshire. Holme was,
by then, an established figure in the Arts and Crafts movement. He had
founded The Studio magazine in 1893 and subsequently edited it. The
Studio was undoubtedly the most influential and widely read magazine
of its kind in the world. Holme had extended his family's woollen and
silk business to the Far East and was one of the founder members of
The Japan Society, a country whose art he admired greatly . Holme moved
to Upton Grey in about 1902 from the house that Philip Webb had built
for William Morris, the Red House,in Kent. Holme purchased several houses
and a great deal of the surrounding land in Upton Grey. The Old Manor
House, which he rented out for the rest of his life, was in fragile
condition, so Holme commissioned the local architect Ernest Newton to
alter and adapt it, keeping many of the original timbers - those in
the roof are dated between 1480 and 1540. Today's Edwardian façade encloses
oak-panelled rooms, a 16th century staircase and the original roof timbers.
Newton's house was completed by 1907
Gertrude
Jekyll drew plans for the four and a half acre garden. On this chalky,
sloping site she designed one of her most beautiful gardens. It includes
many features of a typical Jekyll garden, but on a rather smaller scale
than most of her commissions.
To the west of the house stands the Wild garden. Grass paths wind from
semicircular grass steps through rambling and species roses, to a small
copse of walnut trees and wild flowers, beyond which lies a small pond.
Some of Jekyll's original drifts of daffodils remain at the end of the
Wild Garden, still in the drifts she designed. To the east of the house
stands the formal garden. Here there are no curved lines. In a geometric
outline Jekyll designed a Rose Lawn and typical herbaceous borders whose
colours run in drifts from cool (blues and whites) to hot (reds and
oranges) to cool again. These, with the tennis and bowling lawns are
enclosed in yew hedging.
Outside
the hedging lie the nuttery, orchard, kitchen garden, stable cottage and
cottage beds. The whole is faithfully restored to the many plans and plants
that Jekyll prescribed. Very few of her original plants survived the 70
years between design and restoration but the vast majority of her plants
do survive in England's nurseries and finding them for restoration has
been relatively easy and accurate.
Copyright ©
2008 Ros Wallinger
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